Tim OBrien is a highly acclaimed Vietnam War novelist. His depictions of the war are whatsoever(prenominal) gruesome and disturbing. OBrien achieves such reality in his books by lottery material for his novels from his own experience. He uses imagination and fiction to regard meaning in those experiences. The passions and ideas in his novels appeal to American readers with extensive differences in political allegiance and social background. The novels are close personal, psychological, and explanatory. In his books Going After Cacciato and In the Lake of the Woods, Tim OBrien develops themes such as true courage, loneliness, and psychological effects of the war by apply narrative techniques, such as recounting thoughts and emotions of characters, in roam to emphasize their fantasies, confusion, and obsessions.
In Going After Cacciato, the protagonist Paul Berlin cannot light upon among what is real and what is imagined. In an attempt to distinguish between illusion and reality, Paul creates a continuous critical colloquy between himself and the world around him. He always fantasizes well-nigh his home and his family. And although his platoon succeeds in catching Cacciato near the Laotian border, Berlin continues fantasizing. He imagines that Cacciato constantly manages to evade them, and the platoon must pursue him to Paris. He dreams up grotesque adventures in countries along the route, some hilarious escapades, some adolescent sexual fantasies, and some chilling encounters (Calloway 168).
His fantasies interrupt and desegregate into the literal story of the chase, giving the narrative a hair-raising quality. Berlin and his fellow soldiers are innocents trapped in a corrupt, eccentric world, but the only character who seems truly courageous in the story is Cacciato (Eder 154). Even though his desertion is a nonsense(a) gesture, it frees him from the compromises to which the others cling: acceding to the draft, fighting a war...
Very interesting analysis on Tim OBriens writing. Organization and conventions are great, would not change a thing.
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