Pi is an independent mathematical sci-fi thriller that pushes the envelope of the most controversial ideas of tone itself, broad religion versus mathematics and order. In this film a brilliant number theorist, Maximilian Cohen, teeters on the brink of insanity as he searches for an underlying meaning of an elusive numerical enactment that is said to bare the secrets of the public. Max lives in Chinatown, New York in a dark, claustrophobic apartment that is wall to wall consumed by his homemade super computer cleverly named Euclid. Cohen, a existent character, who to this day is continuously itching at the wonders of the meaning of pi, is vie by Sean Gullette. In the film Max quotes his assumptions: Mathematics is the verbiage of nature. Everything around us nooky be represented and unsounded through numbers. If you graph these numbers, patterns emerge. Therefore, there are patterns all(prenominal)where in nature. This philosophy is as delicate as any. Some intend in fait and chance, while others, like myself, construe a shot that there is logical reason hidden behind everything in life, and that somewhere down the road there is eventually a simple cause and effect to any hurdle our universe can toss in front of us.
The well cognize Chaos Theory, which supports ideas such as: Monsoons in Hawaii can inadvertently be caused by a slight twinge change from a migrating butterfly flapping its wings in Japan, is the standard that Cohen chooses to base his solitary, paranoia consumed life as he searches for a pattern in the most complex chaotic ashes known to man, the stock market. Max uses this man made existence as his data set. As he grows closer to an zed truth, he is haunted by sociological handicaps, the very problems that every human suffers day to day. In...
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