Social Relations Articulated By Particular Social Practices, Social “maps,” - Marxism

The Function of Art in Class Struggle red ink scholars agree that ` fine art in its various forms and media is an important section of culture in so far as it is use in the transmission and communication of cultural symbols and representations in both given smart set . Art thereby both reinforces and at the same time introduces changes to the creationner by which cultural representations be created or recreated , preserved , adapted , and transferred .

For instance art reflects subsisting gender roles and symbolisms , taboos , customs , and traditions , and even biases in visual and part forms much(prenominal) as dances , songs , drama , theater , and other forms of tasty media Gramsci (1971 ) likewise notes that even the working class engage in some form of intellectual activity and that each various(prenominal) may be considered a philosopher , an artist , a man of taste who participates in a particular creationion of the dry land is conscious of morality , and is a contributor to the birth and reincarnation of ideas and thoughts (Gramsci 8-9However , it is as well argued that artistic expressions , being an inextricable part of a culture that is prevailed upon by certain economic interests , is therefore in like manner subject to it (Bordieu 1 ) Hence `art for art s sake is a myth in any society where the prevalent tender relations is that of the oppressor and oppressed , since the former as the owner of the forces of yield controls not precisely the means for economic production but even the production of ideas , beliefs and consciousness in society (Marx and Engels , 64 ) Thus , the function of art is not only limited in its aesthetic value but also in how it is used by the dominant or judgement class to perpetuate itself and its control over other classesWhile such a view of art has come under dreadful attack from both scholars and artists themselves who be wont to deny that they are influenced by things other than their muses , it is worth noting how the definition , production , and dispersal of art and its relationship with its audience evolved and developed with the historical instruction of societies . The relationship between the economic and the resulting political and cultural social organisation was starting signal developed by Karl Marx based on Feuerbach s theses on materialism . Marx argues that the mode of production of material life conditions the social , political and intellectual life-process of societies (Marx 5That the social , political , and intellectual aspects of societies were grounded on , and changed with , the economic aspect precluded that the concept and practice of art underwent changes with the changes in the economic and political structure of societies . For instance , although the concept of `art and `artists was not yet present during the primitive-communal period when human beings first learned to create images on stones and cave walls , the absence of this concept was not because people did not yet know its import , but because it was considered a realm where anyone and anybody could freely participate in that respect was no segregation yet between what Marx and...If you want to allow a full essay, order it on our website: Ordercustompaper.com

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