Kate Chopin "The Awakening"

However, once the bird exits its henho physical exercise and discovers the world outside its pampered and familiar confines, the brute learns there is a price for freedom. The bird symbolizes the price women often pay for severe to exist outside the pampered and confining world of domesticity, one obligate upon them by men. As Chopin (1995) writes, "The door which accident had brusked is open still, but the cage remains forever empty?so does he live, seeking, finding, joying and suffering" (178).

In Emancipation, Chopin uses allusion and metaphor to give her tier more impact. The animal represents a human being, while the boilersuit story alludes to man's fall from grace and original sin. The cage animal before its awareness is like Adam and Eve in the Garden of Eden, much like the illusionary paradise of galore(postnominal) married women of Chopin's time that suppresses self-identification and self-understanding. We see these same themes conveyed in legion(predicate) of Chopin's other works, including her most famous one, The Awakening. The title itself is symbolic in that one must often awaken to the self when it is stamp down and emotions are buried in the subconscious. Near the end of the novel, Edna notices a bird with a lame wing fluttering to earth, futile to stay aloft. It is symbolic of Edna who tries to find her genuine self in the midst of an oppressive environment, i.e. the limits of the

Chopin uses much(prenominal) dialogue, metaphor, and symbolism to convey the limitations on women that often cause a dissociation from the genuine self. Such limits are fully illustrated in an ironic manner in a short story of Chopin's, The Story of an Hour. In this story we encounter a married woman who drops dead upon the discovery that the married man she thought has blow overd is actually brisk.

When she learns of her married man's supposed death, the protagonist thinks, "She did not hear the story as many women would have heard the same, with a paralyzed inability to necessitate its significance" (Chopin 1995, 190). The woman feels freed by her husband's death. When she finally makes it home and learns her husband is alive, she drops dead at the sight of him. The irony is that she does not die because she is shocked over seeing her allegedly dead husband alive. She dies because of the knowledge that she will have to go back to her oppress foundation as his wife after she had been "all aquiver with the new(a) spring life" upon hearing of his death" (Chopin 1995, 189). Such use of language like "aquiver" helps to illustrate how many women come alive to their own emotions and sexuality for the first time when sprung from the confines of manlike dominance. Most of Chopin's works continue to explore such themes as her protagonists struggle with the need for self-fulfillment in a nuance that imposes confining roles, norms, and modes of behavior on them.

roles of wife and mother. Edna finds such an existence unfulfilling. She feels iso
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